#Radio silence creepypasta movie#
For example, our next movie is something brand new. We also have other stories that are not coming from shorts. “There’s one called The Crying Boy, which we made in 2019, about a haunted painting, and we have a very nice feature story for that, but it’s a bigger story, so we’re not ready to do it yet. “There’s a couple of shorts we have plans for,” Alessandro said, as the others nodded. I asked whether that was the plan for T3’s other shorts, too. That’s how the story was born.”Īlessandro had mentioned making a feature out of the Sound of Silence short. So we were able to make something commercial and fun, with the sort of scares like in Insidious, but at the same time, we could also make it more meaningful, due to that dramatic past. By building the back story, we were able to deal with themes like the abuse of women and women’s empowerment. We saw it and thought, wow, what if we make this about a vintage radio, a classic ghost story of something coming back from the past? And so we made the short…but then the feature film involved making the back story to the radio, and we were very happy that we’d kept the radio. At first, it wasn’t even supposed to be about a radio but about sound going on and off, but Stefano bought this old radio one day and brought it to the studio. Then when the short was selected for Screamfest, we realised that we had something special and decided to turn it into a feature. “Actually, before making the feature,” Alessandro said, “we made a short called Sound of Silence, about the concept of sound going on and off. I asked the trio where that story had come from. The film certainly didn’t show a happy setting at all but one that was stressful and tense throughout, as it should be for such a story. If you didn’t know, it wouldn’t have looked like we were filming a horror movie, it was all such a happy family!” They project that onto everything they do, and they assemble an amazing crew, who were also incredibly loving.
“It was my first time on set, and you almost don’t believe it when you’re there, but they really love each other in an almost spontaneous way. “It couldn’t have been a better experience for me,” she said. That sounded almost too good to be true, so I asked Penelope what it had been like on the set from her perspective. We are working with very low budgets at the moment, so we have to do lots of things other than directing: the fact that there’s three of us is therefore a real strength.” The process keeps getting better, of course, but it’s definitely helpful, as it allows us to each focus on our own area, as we trust each other with those skills. I look after the cinematography, the camera work, and the editing Stefano manages the lighting and stage production and also cooks and Daniel deals with the actors. Of course when we are on set, what is really helpful is that we are split. We manage to bring together our three brains, and our different life experiences, and make them all work as one: so we have a bigger view in making the movie. Alessandro, the spokesperson for most of this interview, answered: “We’ve been working together for eight years nearly, and it works very well. I started by asking how their three-person dynamic works. The three filmmakers-Stefano Mandalà, Alessandro Antonaci and Daniel Lascar-along with their lead, Penelope Sangiorgi, met with me recently to tell me all about the challenges in making Sound of Silence. Sound of Silence is a new film from the writing and directing trio known as T3 it is a film about two contrasting forces: of sound and the past.
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